CharangaSue.com

Sue Miller – Cuban Flute Improviser, Writer & Academic

Content tagged with: Conferences

Invited Talk Newcastle University Wednesday 16 October ‘ PRACTICE RESEARCH IN ETHNOMUSICOLOGY’

PRACTICE RESEARCH IN ETHNOMUSICOLOGY:
THREE ACTS OF TRANSLATION IN MY OWN PRACTICE RESEARCH

DR SUE MILLER

Taking Simon McKerrell’s paper ‘Towards Practice Research in Ethnomusicology’ as a starting point I present here three examples of my own practice research which use performance as ‘a central methodology, ’ as a ‘translation of artistic performance aesthetics’ and as a ‘research outcome sited in original performance.’ (McKerrell, 2019, 1)
In the three examples presented here (monographs on performance aesthetics and improvisational creativity), a British Academy funded performance and production project, and a music, dance and animation collaboration), I will demonstrate how, in my translational role, I have employed my own performance practice to produce text, performances, scores, audio and audio-visual research outputs which translate research findings and insights for outside the artistic community of practice, and, in some cases, within it.

Music Analysis Talk at City University

Sue Miller’s talk ‘The Sound is the Context’ was part of a round table discussion opening the 2018 Music Analysis conference at City University London 5-7 July 2018. Also taking part in the panel were Dr Chloë Alaghband-Zadeh (Manchester University) , Dr Joe Browning (University of Oxford), Dr Laudan Nooshin (City, University of London), Dr Lara Pearson (Max Planck Institute for Empirical Aesthetics) and Dr Byron Dueck (the Open University).

Exercices de ‘Steal’: Invited Talk on Serge Gainsbourg’s Latin influences at La Sorbonne April 2018

Dr Sue Miller gave an invited talk ‘Execices de ‘Steal’ in English and French at Sorbonne University Paris 10 April 2018 at the Serge G conference organised by Iremus – starting with Gainsbourg’s creativity and eclecticism and then examining the Cuban roots of the French cabaret scene in the mid-twentieth century. Serge G Conference, Paris [...]

Recontextualising Ragtime Symposium 6&7 May 2017: More Details

Recontextualising Ragtime: Connections, Influences, Perspectives A Two-Day Symposium 6–7 May 2017   Location: Heritage Quay at the University of Huddersfield, UK Organised by: Prof. Rachel Cowgill (University of Huddersfield) and Dr Sue Miller (Leeds Beckett University) in association with Heritage Quay at the University of Huddersfield   Join us for a two-day symposium examining the [...]

BfE and AAWM Conference in London on 1-4 July

My paper is on 2 July:

Title: Analyzing Clave feel within melodic-rhythmic ‘mambo’ improvisation

Abstract:

‘Clave feel’ is often cited as one of the main elements of Cuban and salsa improvisation yet very little to date has been done to demonstrate this concept analytically whether using notation- or purely text-based analysis. The mambo-style solos of flautist José Fajardo are analysed here in order to demonstrate this clave concept using annotated transcriptions of recorded solos to demonstrate the relationship between the two-bar timeline of clave and melodic-rhythmic improvisation characteristic of Cuban and Latin popular styles.

IASPM in Spain

I’m attending IASPM next week – looking forward to speaking Spanish again!

SEM Philadelphia

I’m in the US at the Society for Ethnomusicology (SEM) Conference in Philadelphia and presenting my work on a panel led by Professor Robin Moore so do contact me if you’re there….

Caribbean and Latin American Music Study Day – Call for Papers

Caribbean and Latin American Music Study Day

Saturday 12 November 2011
University of Huddersfield
School of Music, Humanities and Media, Queensgate, Huddersfield HD1 3DH

Guest Speaker Dr Henry Stobart (Royal Holloway, University of London)
CALL FOR PAPERS