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Sue Miller – Cuban Flute Improviser, Writer & Academic

Music Analysis Talk at City University

Sue Miller’s talk ‘The Sound is the Context’ was part of a round table discussion opening the 2018 Music Analysis conference at City University London 5-7 July 2018. Also taking part in the panel were Dr Chloë Alaghband-Zadeh (Manchester University) , Dr Joe Browning (University of Oxford), Dr Laudan Nooshin (City, University of London), Dr Lara Pearson (Max Planck Institute for Empirical Aesthetics) and Dr Byron Dueck (the Open University).

British Academy Grant Awarded

A new research project – bringing to life the practice and history of mid-20th century New York-based Latin music – has launched at Leeds Beckett.

Exercices de ‘Steal’: Invited Talk on Serge Gainsbourg’s Latin influences at La Sorbonne April 2018

Dr Sue Miller gave an invited talk ‘Execices de ‘Steal’ in English and French at Sorbonne University Paris 10 April 2018 at the Serge G conference organised by Iremus – starting with Gainsbourg’s creativity and eclecticism and then examining the Cuban roots of the French cabaret scene in the mid-twentieth century. Serge G Conference, Paris [...]

Leeds Arts Research Centre

The Leeds Arts Research Centre (LARC) brings together creative practitioners and academics across Leeds Beckett University whose research interests lie in the arts, whether that is music, film, fine art, design or performing arts.

LARC draws on staff from the School of Art, Architecture and Design and from the School of Film, Music and Performing Arts. It brings together cultural historians and theorists with arts practitioners at the cutting edge of practice as research. Providing a forum for debate, it is also a window on the exciting and innovate creative work going on across the two Schools. Here staff collaborate on new projects, showcase their research and build together the research culture

Recontextualising Ragtime Symposium 6&7 May 2017: More Details

Recontextualising Ragtime: Connections, Influences, Perspectives A Two-Day Symposium 6–7 May 2017   Location: Heritage Quay at the University of Huddersfield, UK Organised by: Prof. Rachel Cowgill (University of Huddersfield) and Dr Sue Miller (Leeds Beckett University) in association with Heritage Quay at the University of Huddersfield   Join us for a two-day symposium examining the [...]

Recontextualising Ragtime: Connections, Influences, Perspectives A two-day symposium 6&7 May 2017

Recontextualising Ragtime: Connections, Influences, Perspectives

A two-day symposium
6&7 May 2017

Location: Heritage Quay at the University of Huddersfield, UK
Organised by: Prof. Rachel Cowgill (University of Huddersfield) and Dr Sue Miller (Leeds Beckett University) in association with Heritage Quay at the University of Huddersfield

Cuban Flute Style: Interpretation and Improvisation review in Latin American Music Review Journal

Review by Sunni Witmer of ‘Cuban Flute Style: Interpretation and Improvisation’ by Sue Miller in Latin American Music Review, Volume 37, Number 1, Spring/Summer 2016, Published by University of Texas Press
https://muse.jhu.edu/article/619638

‘All in all, Miller’s book is a valuable contribution to the scant research on charanga, and it is especially informative for those interested in improvisation, performance practices, analysis of popular music, flute performance, and, of course, Cuban music.’

Charanga del Norte Gig 22 November, Cambridge Jazz Festival

Sue Miller is giving a pre-concert talk on Cuba-based and New York-based charanga music and then her band Charanga del Norte are performing that night at Churchill College, University of Cambridge – tickets from the Cambridge Jazz Festival site.

New Review in the British Journal of Music Education

Sue Miller provides an intricately argued call for the study of both theoretical and practical improvisation to take centre-stage in higher music education (Chapter 6), a point pursued by Esmée Olthuis, who posits that improvisation can foster musical leadership and critical skills of self-reflection.

Review in Ethnomusicology Forum Journal

Sue Miller’s monograph on Cuban flute style will be of interest to ethnomusicologists and flautists alike. It is a clearly written, highly musical book that serves as both a guide to performance practice and an academic text. Miller brings together performance as a research technique, interviews with musicians, lessons with renowned flautists, and detailed and extensive transcription and analysis of recordings to create a ‘musical archaeology’ (246) of creative processes, interpretation and improvisation in Cuban charanga flute performance.