CharangaSue.com

Sue Miller – Cuban Flute Improviser, Writer & Academic

Content tagged with: transcriptions

Music Symposium in Helsinki, 20-21 November, 2015

Sue will be presenting a paper ‘Getting into Bed with the Cultural Theorists’ at the NIMiMS conference to demonstrate how the detailed analysis of sound connects directly to cultural aspects of the music and to advocate closer working partnerships with scholars in musicology and cultural studies.The aim of the symposium is to bridge gaps and create positive dialogue between different approaches within music studies. The symposium is focused on two questions.
[1] How can music analysis and cultural studies benefit from each other?
[2] How can music theory and musical practice benefit from each other?
Organizing parties: NIMiMS, Musicology at the Helsinki University Department of Philosophy, History, Culture and Art Studies, Helsinki Pop & Jazz Conservatory, and the Finnish Music Archive JAPA.

BfE and AAWM Conference in London on 1-4 July

My paper is on 2 July:

Title: Analyzing Clave feel within melodic-rhythmic ‘mambo’ improvisation

Abstract:

‘Clave feel’ is often cited as one of the main elements of Cuban and salsa improvisation yet very little to date has been done to demonstrate this concept analytically whether using notation- or purely text-based analysis. The mambo-style solos of flautist José Fajardo are analysed here in order to demonstrate this clave concept using annotated transcriptions of recorded solos to demonstrate the relationship between the two-bar timeline of clave and melodic-rhythmic improvisation characteristic of Cuban and Latin popular styles.

Review of Cuban Flute Style by Bill McBirnie

Let me begin by saying that Sue Miller’s Cuban Flute Style is an extraordinarily comprehensive oeuvre, with respect to both the history and the technique of charanga flute playing. In addition, her book is realized with a broad as well as a thoughtful understanding of the entire tradition on which this style of music is based.

OUT NOW Cuban Flute Style: Interpretation and Improvisation

My book Cuban Flute Style: Interpretation and Improvisation is now available from all good book stores!

International Conference on Analysing Popular Music

I’m presenting a paper on clave feel in Latin improvisation at this conference.The conference will take place 2-4 July, 2013 and will include three distinguished keynote speakers:

Anne Danielsen (University of Oslo)
Walter Everett (University of Michigan)
Allan Moore (University of Surrey).

My Transcription of a Solo by Richard Egües

Transcribing Charanga flute solos forms part of my PhD research into the Cuban flute style of improvisation. Here is a solo by Richard Egües from the album ‘Richard Egües Grandes Hits con la Orquesta Aragón’ (Egrem)