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Sue Miller – Cuban Flute Improviser, Writer & Academic

Content tagged with: Cuban Musicians

Cuban Flute Style: Interpretation and Improvisation review in Latin American Music Review Journal

Review by Sunni Witmer of ‘Cuban Flute Style: Interpretation and Improvisation’ by Sue Miller in Latin American Music Review, Volume 37, Number 1, Spring/Summer 2016, Published by University of Texas Press
https://muse.jhu.edu/article/619638

‘All in all, Miller’s book is a valuable contribution to the scant research on charanga, and it is especially informative for those interested in improvisation, performance practices, analysis of popular music, flute performance, and, of course, Cuban music.’

Review in Ethnomusicology Forum Journal

Sue Miller’s monograph on Cuban flute style will be of interest to ethnomusicologists and flautists alike. It is a clearly written, highly musical book that serves as both a guide to performance practice and an academic text. Miller brings together performance as a research technique, interviews with musicians, lessons with renowned flautists, and detailed and extensive transcription and analysis of recordings to create a ‘musical archaeology’ (246) of creative processes, interpretation and improvisation in Cuban charanga flute performance.

Son Yambu with Special Guest Sue Miller London 23 November 2015

Sue is performing Cuban music at a lecture by Katia Chornik to launch her new book: Alejo Carpentier: Blurring Genres (Monday 23rd November at 6.30. Instituto Cervantes, 102 Eaton Square, London SW1W 9AN). The event will include live Cuban music by Son Yambu (www.sonyambu.com) with special guest Sue Miller, and will be followed by drinks.
Reserve your seat at reservas.londres@cervantes.es

New Review of Cuban Flute Style by John Robert Brown in Jazz Journal

Cuban Flute Style is thus a contextualised, analytical study, arising from a combination of Miller’s lessons from Egües, her research in Havana and New York, her subsequent experiences as a charanga bandleader, and the completion of a Leeds University PhD undertaken to study the processes involved in learning the charanga style of improvisation.

Review of Cuban Flute Style by Bill McBirnie

Let me begin by saying that Sue Miller’s Cuban Flute Style is an extraordinarily comprehensive oeuvre, with respect to both the history and the technique of charanga flute playing. In addition, her book is realized with a broad as well as a thoughtful understanding of the entire tradition on which this style of music is based.

BOOK LAUNCH 10 May LONDON SENATE HOUSE

book launch for Cuban Flute Style@
LATIN AMERICAN MUSIC SEMINAR
Saturday 10th May 2014

Room G22-26 (Ground Floor)
Senate House, Malet Street
London WC1E 2HU

A morning of presentations finishing with:

3.00pm Sue Miller (Anglia Ruskin University, Cambridge), BOOK LAUNCH: Cuban Flute Style: Interpretation and Improvisation (Scarecrow Press 2013).

3.45pm Tea followed by live music performed by Charanga del Norte (Cuban charanga music which forms the focus of Sue Miller’s book).

OUT NOW Cuban Flute Style: Interpretation and Improvisation

My book Cuban Flute Style: Interpretation and Improvisation is now available from all good book stores!

Estrellas Cubanas perform Amalia Batista

Estrellas Cubanas performed the Danzon Amalia Batista by Rodrigo Prats at the Danzon Festival in Havana in 2007 – do contact me if you’re interested in promoting an exchange project between Estrellas Cubanas and Charanga del Norte.

Video of Charanga de Oro performing Almendra

Check out El Ruso’s piano solo on this performance of Almendra by Charanga de Oro in Santa Cruz del Norte, Cuba

Music and Revolution: Cultural Change in Socialist Cuba

Review of Robin Moore’s book Music and Revolution: Cultural Change in Socialist Cuba in Cultural Politics Journal Volume 03 Issue 02 July 2007, p265 -268: BOOK REVIEW Cultural Policy and Music Making in Revolutionary Cuba Sue Miller Music and Revolution: Cultural Change in Socialist Cuba, by Robin D. Moore, Berkeley and Los Angeles: University of [...]