I gave a lecture at the international Danzón conference in Havana in April 2009 where I demonstrated how I learnt the Cuban flute style of improvisation from renowned Cuban flute players such as Richard Egües, Polo Tamayo and Melquiades Fundora.
I gave a lecture at the international Danzón conference in Havana in April 2009 where I demonstrated how I learnt the Cuban flute style of improvisation from renowned Cuban flute players such as Richard Egües, Polo Tamayo and Melquiades Fundora.
I am currently undertaking a PhD part-time at the University of Leeds, UK, where I combine my practical work as a performer with more traditional research methods. In addition to a written thesis my work involves recording in the studio and live at concerts, where analysis, commentary and transcription of flute improvisations link in [...]
Article written for the British Flute Society Journal PAN on the Charanga Flute players of Cuba, focussing on the work of Richard Egües, Antonio Arcaño, José Fajardo, Eddie Zervigon, Joaquín Oliveros and Eduardo Rubio.
The following article was written for the British Flute Society Magazine – PAN: March 2003.
Some people confuse the Cuban style of music with Jazz. In fact, the Charanga is quite different. Sue Miller examines the Charanga flute styles of Richard Egües, Eduardo Rubio (both from Orquesta Aragón) and Melquiades Fundora (from Orquesta Sublime). You will [...]