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Sue Miller – Cuban Flute Improviser, Writer & Academic

Content tagged with: cuban flute

Cuban Flute Style: Interpretation and Improvisation review in Latin American Music Review Journal

Review by Sunni Witmer of ‘Cuban Flute Style: Interpretation and Improvisation’ by Sue Miller in Latin American Music Review, Volume 37, Number 1, Spring/Summer 2016, Published by University of Texas Press
https://muse.jhu.edu/article/619638

‘All in all, Miller’s book is a valuable contribution to the scant research on charanga, and it is especially informative for those interested in improvisation, performance practices, analysis of popular music, flute performance, and, of course, Cuban music.’

Review in Flute Journal

Book Review: Cuban Flute Style: Interpretation And Improvisation, By Sue Miller. Book Review by Jessica Valiente Cuban Flute Style: Interpretation and Improvisation, by Sue Miller (The Scarecrow Press, 2014), holds the distinction of being the only scholarly work published in English devoted exclusively to the study of the Cuban charanga. Read more here: Book Review in Flute Journal [...]

ARSC Journal Review of Cuban Flute Style by Nestor Torres

I am honoured that the multi-talented flute player Nestor Torres has reviewed my book for the Association of Recorded Music Sound journal (ARSC):
‘I declare that Cuban Flute Style is brilliant and without precedent. The research work is thorough and meticulous. The historical narrative of the flute styles and its protagonists is comprehensive, consistent and most importantly, respectful of the music’s tradition and filled with palpable affection. Her improvisation transcriptions and music samples from a wide selection of recordings (most of them commercially released) are accurate and accessible. . . .Sue Miller has created a work that celebrates and guarantees the perpetuation of Charanga and its Cuban Flute Style Tradition for many generations to come. Its historical, cultural, and pedagogical value cannot be overstated.’ (ARSC Journal)

Charanga del Norte at Cambridge Big Festival 10 July

Charanga del Norte perform at The Big Weekend in Cambridge on 10 July 2016. Featuring Guillermo Monroy on vocals the band will play as part of a 3 day world music festival  and it’s FREE! Held on Parker’s Piece, Cambridge.

Review in Ethnomusicology Forum Journal

Sue Miller’s monograph on Cuban flute style will be of interest to ethnomusicologists and flautists alike. It is a clearly written, highly musical book that serves as both a guide to performance practice and an academic text. Miller brings together performance as a research technique, interviews with musicians, lessons with renowned flautists, and detailed and extensive transcription and analysis of recordings to create a ‘musical archaeology’ (246) of creative processes, interpretation and improvisation in Cuban charanga flute performance.

Latin Improvisation Aesthetics in New York: SEM Panel Presentation

Sue’s panel at the Society for Ethnomusicology’s annual conference in Texas Austin takes place on 3 December at 4pm. Also on the panel are renowned scholars of Latin American music Professor David Garcia (University of North Carolina) and Dr Ben Lapidus (CUNY).
Panel Abstract: ‘Clave feel’ is often cited as one of the main elements of Afro-Cuban/salsa improvisation yet very little to date has been done to demonstrate this concept analytically. Building on research in this area by Christopher Washburne, Peter Manuel, David Garcia, Robin Moore, Lise Waxer, and Robert Farris Thompson, scholars of Latin improvisation consider how clave remains a point of tradition, pride, and practice for many performers of Afrocuban music in New York City. Brass, woodwind and piano clave-based improvisation styles are examined to demonstrate how clave feel can define both the artistry and identity of performers. Ethnographic research informs the musical analyses of solo improvisations from both recordings and live performances to demonstrate how clave sensibility permeates the artistic work of New York-based Latin soloists.

Son Yambu with Special Guest Sue Miller London 23 November 2015

Sue is performing Cuban music at a lecture by Katia Chornik to launch her new book: Alejo Carpentier: Blurring Genres (Monday 23rd November at 6.30. Instituto Cervantes, 102 Eaton Square, London SW1W 9AN). The event will include live Cuban music by Son Yambu (www.sonyambu.com) with special guest Sue Miller, and will be followed by drinks.
Reserve your seat at reservas.londres@cervantes.es

New Review of Cuban Flute Style by John Robert Brown in Jazz Journal

Cuban Flute Style is thus a contextualised, analytical study, arising from a combination of Miller’s lessons from Egües, her research in Havana and New York, her subsequent experiences as a charanga bandleader, and the completion of a Leeds University PhD undertaken to study the processes involved in learning the charanga style of improvisation.

Review of Cuban Flute Style by Bill McBirnie

Let me begin by saying that Sue Miller’s Cuban Flute Style is an extraordinarily comprehensive oeuvre, with respect to both the history and the technique of charanga flute playing. In addition, her book is realized with a broad as well as a thoughtful understanding of the entire tradition on which this style of music is based.

BOOK LAUNCH 10 May LONDON SENATE HOUSE

book launch for Cuban Flute Style@
LATIN AMERICAN MUSIC SEMINAR
Saturday 10th May 2014

Room G22-26 (Ground Floor)
Senate House, Malet Street
London WC1E 2HU

A morning of presentations finishing with:

3.00pm Sue Miller (Anglia Ruskin University, Cambridge), BOOK LAUNCH: Cuban Flute Style: Interpretation and Improvisation (Scarecrow Press 2013).

3.45pm Tea followed by live music performed by Charanga del Norte (Cuban charanga music which forms the focus of Sue Miller’s book).