CharangaSue.com

Sue Miller – Cuban Flute Improviser, Writer & Academic

Cuban Flute Style: Interpretation and Improvisation review in Latin American Music Review Journal

Review by Sunni Witmer of ‘Cuban Flute Style: Interpretation and Improvisation’ by Sue Miller in Latin American Music Review, Volume 37, Number 1, Spring/Summer 2016, Published by University of Texas Press
https://muse.jhu.edu/article/619638

‘All in all, Miller’s book is a valuable contribution to the scant research on charanga, and it is especially informative for those interested in improvisation, performance practices, analysis of popular music, flute performance, and, of course, Cuban music.’

Review in Flute Journal

Book Review: Cuban Flute Style: Interpretation And Improvisation, By Sue Miller. Book Review by Jessica Valiente Cuban Flute Style: Interpretation and Improvisation, by Sue Miller (The Scarecrow Press, 2014), holds the distinction of being the only scholarly work published in English devoted exclusively to the study of the Cuban charanga. Read more here: Book Review in Flute Journal [...]

ARSC Journal Review of Cuban Flute Style by Nestor Torres

I am honoured that the multi-talented flute player Nestor Torres has reviewed my book for the Association of Recorded Music Sound journal (ARSC):
‘I declare that Cuban Flute Style is brilliant and without precedent. The research work is thorough and meticulous. The historical narrative of the flute styles and its protagonists is comprehensive, consistent and most importantly, respectful of the music’s tradition and filled with palpable affection. Her improvisation transcriptions and music samples from a wide selection of recordings (most of them commercially released) are accurate and accessible. . . .Sue Miller has created a work that celebrates and guarantees the perpetuation of Charanga and its Cuban Flute Style Tradition for many generations to come. Its historical, cultural, and pedagogical value cannot be overstated.’ (ARSC Journal)

‘Activating Improvisational Creativity in the Performance of “World” and “Popular” music’ has a new review in the Journal of Music, Technology & Education

Sue Miller’s chapter on improvisation in university music education has a review in the Journal of Music, Technology & Education:
‘As in Part 2, the arrangement of chapters in Part 3, Experiments in Teaching, brings out their thematic connections. Improvisation, composition and the experience of diverse musical cultures are prominent in this section. Sue Miller describes using her practice-led research in Latin improvisational styles to inform research-led teaching (Chapter 6, ‘Activating improvisational creativity in the performance of “World” and “Popular” music’). She argues for the positioning of improvisation at the centre of musical education, and against the cultural imperialism of most university music curricula.

New Review in the British Journal of Music Education

Sue Miller provides an intricately argued call for the study of both theoretical and practical improvisation to take centre-stage in higher music education (Chapter 6), a point pursued by Esmée Olthuis, who posits that improvisation can foster musical leadership and critical skills of self-reflection.

Review in Ethnomusicology Forum Journal

Sue Miller’s monograph on Cuban flute style will be of interest to ethnomusicologists and flautists alike. It is a clearly written, highly musical book that serves as both a guide to performance practice and an academic text. Miller brings together performance as a research technique, interviews with musicians, lessons with renowned flautists, and detailed and extensive transcription and analysis of recordings to create a ‘musical archaeology’ (246) of creative processes, interpretation and improvisation in Cuban charanga flute performance.

OUT NOW Cuban Flute Style: Interpretation and Improvisation

My book Cuban Flute Style: Interpretation and Improvisation is now available from all good book stores!